
Garden of Reflections
The contemporary table triumph as a form of contemplation of beauty and a a tribute to the fleeting nature of happy moments.

The contemporary table triumph as a form of contemplation of beauty and a a tribute to the fleeting nature of happy moments.

I make glass in my own way to answer my inner need to match my personal standards of quality and beauty

A collection suspended between reality and illusion, the result of the collaboration between Simone Crestani and Agustina Ros.

The contemporary table triumph as a form of contemplation of beauty and a hymn to the joy of living.

The road leading to Atelier Crestani is all sky and fields bordered by ditches. The gate slides open, and you find yourself in a glass box surrounded by greenery.

In this glass-and-light space, time takes form through images that capture nature’s traces and transformations.

The bonsai, a symbol of Crestani’s work, grows slowly, with effort and wisdom, evolving into a light installation

A collection defined by enchantment, aroused by the size of the blown works and the mastery and precision of high craftsmanship.

The dialogue between tradition and innovation yields a collection of 21 numbered botanically inspired glasses, referred to ancient Fratelli Toso drawings.

Bringing into the present the magnificence of the sumptuous receptions of other eras is the idea behind the contemporary creation of deseri.

The ethereal beauty of the sky is reflected in the glass and gives us the illusion of having it at hand.

There are lines that run without meeting and others that cross. At the point of contact, curvilinear creations take shape, interweaving life and its natural manifestations.

Microcosmo is a jewelry collection that blends glass and metals, exploiting the alchemy of the elements with an oxidation effect and deposit.

This collection pays homage to the Murano technique, beyond the confines of the matter itself, to its timeless elegance, in the hope that it will not be forgotten.

The geometry of fractals unites broken forms, which on their own would seem incomplete but together form a harmonious, fascinating, and hypnotic whole.

While my hands were still becoming familiar with the art of glass working, my thoughts were already putting down roots and binding me to this material forever.

At first glance, these animals may seem apparently simple but in reality, they hide a great complexity.

I admire the power of nature.
Man uses a great deal of energy to control it, to conquer it, to bend it to his uses, but nature always finds a way of having the last word.